Speaker Phase Test

Auto Sound Cape Coral
Phone media volume must be at MAX. Then raise head-unit volume until the cone clearly moves. Sweeps below 40 Hz at high gain can damage tweeters or unported subs.
100%

Polarity Test

Plays a short positive pulse once per second. A correctly wired speaker's cone should push OUT toward you on each click. If it sucks inward, the speaker wires are reversed.

Tip: Turn head-unit volume up to ~50-70% for clear cone movement. Watch the cone directly, or place a small piece of paper on it — the paper should lift on each pulse.

Phase / Polarity (Listening)

Plays a correlated signal on L+R. Stand between the speakers and flip the R channel — in-phase images centered and solid, out-of-phase feels hollow, diffuse, or cancels bass.

200 Hz
Pink noise reveals polarity errors better than a sine — broadband cancellation is easier to hear. If flipping R makes it sound better, your R speaker is wired backwards. If flipping R makes it sound worse, L is the problem.

Frequency Sweep

Logarithmic sweep 20 Hz → 20 kHz. Listen for rattles, buzzes, dropouts, and frequency response issues.

20Hz
20 s
20 Hz
20 kHz
Full-range sweeps are loud on subs at the bottom end — keep volume conservative on the first pass.

Channel Identifier

Isolates the left or right channel with a distinct tone. Verify wiring — the correct speaker should be the only one playing.

Active Channel
Left channel plays 440 Hz; right plays 880 Hz. Alternating mode swaps every 1.5 s.

Crossover Tones

Preset frequencies for verifying crossover handoffs. Tap a tone — it should come out of the driver assigned to that band. Wrong driver = wrong crossover wiring or DSP.

Select Frequency
Hit the same button again to stop, or tap a different frequency to switch. Common XO points: sub/mid ~80 Hz, mid/tweeter 2.5–5 kHz.

SPL Meter

Uses the phone mic to measure sound pressure. Uncalibrated by default — for accurate readings, compare to a known SPL source once and tap "Calibrate".

--
dB SPL (approx)
406080100120
+30 dB
Hold phone at listening position. Phone mics compress above ~100 dB — treat readings above that as "very loud" rather than exact.

Reference Tracks

Curated audiophile/demo tracks by category. Tap any row to open on YouTube. For best sound, search these same tracks on Apple Music Lossless, Tidal HiFi, or Qobuz.

Sub Bass & Impact
Oh Yeah
Yello
Deep synth bass, punchy transients
bad guy
Billie Eilish
Sub extension below 40 Hz, clean low end
Angel
Massive Attack
Sustained sub bass, texture + dynamics
Doin' It Right
Daft Punk
Tight bass synth, vocal clarity
Vocals & Midrange
Temptation
Diana Krall
Intimate vocal, upright bass, brushed snare
Fields of Gold
Eva Cassidy
Acoustic guitar + vocal — midrange honesty
Hello
Adele
Vocal dynamics, piano body
Come Away With Me
Norah Jones
Warm vocal, brushes, air
Imaging & Soundstage
Time
Pink Floyd
Clock panning — tests L/R separation
Hotel California (Live)
Eagles
Acoustic width, applause envelope
Brothers in Arms
Dire Straits
Deep soundstage, reverb tails
The Chain
Fleetwood Mac
Multi-layered harmonies, bass line entry
Dynamics & Rock
Thunderstruck
AC/DC
Drum impact, guitar bite
When the Levee Breaks
Led Zeppelin
Legendary drum sound, slam + weight
Enter Sandman
Metallica
Dense mix, distorted guitar clarity
Hysteria
Muse
Attack bass guitar, kick drum punch
Hip-Hop & Electronic
Still D.R.E.
Dr. Dre ft. Snoop Dogg
Iconic bass line, piano clarity
Mask Off
Future
808 sub slam, flute midrange
HUMBLE.
Kendrick Lamar
Tight kick + snare, vocal front-center
Blinding Lights
The Weeknd
Synth width, retro production
Jazz & Acoustic
So What
Miles Davis
Brass tone, stereo horn placement
Aja
Steely Dan
Audiophile reference — every detail
Nardis
Patricia Barber
Jazz dynamics, piano harmonics